Personals
Some nights I sleep with my dress on. My teeth
are small and even. I don't get headaches.
Since 1971 or before, I have hunted a bench
where I could eat my pimento cheese in peace.
If this were Tennessee and across that river, Arkansas,
I'd meet you in West Memphis tonight. We could
have a big time. Danger, shoulder soft.
Do not lie or lean on me. I'm still trying to find a job
for which a simple machine isn't better suited.
I've seen people die of money. Look at Admiral Benbow. I wish
like certain fishes, we came equipped with light organs.
Which reminds me of a little known fact:
if we were going the speed of light, this dome
would be shrinking while we were gaining weight.
Isn't the road crooked and steep.
In this humidity, I make repairs by night. I'm not one
among millions who saw Monroe's face
in the moon. I go blank looking at that face.
If I could afford it I'd live in hotels. I won awards
in spelling and the Australian crawl. Long long ago.
Grandmother married a man named Ivan. The men called him
Eve. Stranger, to tell the truth, in dog years I am up there.
C. D. Wright
"There is also in each of us the maverick, the darling stubborn one who won't listen, who insists, who chooses preference or the spirited guess over yardsticks or even history. I suspect this maverick is somewhat what the soul is, or at least that the soul lives close by." - Mary Oliver
Wednesday, September 30, 2009
Wednesday, September 23, 2009
Wild Peaches
When the world turns completely upside down
You say we will emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and scuppernong;
All seasons sweet, but autumn best of all.
Elinor Wylie
When the world turns completely upside down
You say we will emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and scuppernong;
All seasons sweet, but autumn best of all.
Elinor Wylie
Wednesday, September 16, 2009
Whelks
Here are the perfect
fans of the scallops,
quahogs, and weedy mussels
still holding their orange fruit---
and here are the whelks---
whirlwinds,
each the size of a fist,
but always cracked and broken---
clearly they have been traveling
under the sky-blue waves
for a long time.
All my life
I have been restless---
I have felt there is something
more wonderful than gloss---
than wholeness---
than staying at home.
I have not been sure what it is.
But every morning on the wide shore
I pass what is perfect and shining
to look for the whelks, whose edges
have rubbed so long against the world
they have snapped and crumbled---
they have almost vanished,
with the last relinquishing
of their unrepeatable energy,
back into everything else.
When I find one
I hold it in my hand,
I look out over that shaking fire,
I shut my eyes. Not often,
but now and again there's a moment
when the heart cries aloud:
yes, I am willing to be
that wild darkness,
that long, blue body of light.
Mary Oliver
Here are the perfect
fans of the scallops,
quahogs, and weedy mussels
still holding their orange fruit---
and here are the whelks---
whirlwinds,
each the size of a fist,
but always cracked and broken---
clearly they have been traveling
under the sky-blue waves
for a long time.
All my life
I have been restless---
I have felt there is something
more wonderful than gloss---
than wholeness---
than staying at home.
I have not been sure what it is.
But every morning on the wide shore
I pass what is perfect and shining
to look for the whelks, whose edges
have rubbed so long against the world
they have snapped and crumbled---
they have almost vanished,
with the last relinquishing
of their unrepeatable energy,
back into everything else.
When I find one
I hold it in my hand,
I look out over that shaking fire,
I shut my eyes. Not often,
but now and again there's a moment
when the heart cries aloud:
yes, I am willing to be
that wild darkness,
that long, blue body of light.
Mary Oliver
Wednesday, September 9, 2009
Orkney / This Life
It is big sky and its changes,
the sea all around and the waters within.
It is the way sea and sky
work off each other constantly,
like people meeting in Alfred Street,
each face coming away with a hint
of the other's face pressed in it.
It is the way a week-long gale
ends and folk emerge to hear
a single bird cry way high up.
It is the way you lean to me
and the way I lean to you, as if
we are each other's prevailing;
how we connect along our shores,
the way we are tidal islands
joined for hours then inaccessible,
I'll go for that, and smile when I
pick sand off myself in the shower.
The way I am an inland loch to you
when a clatter of white whoops and rises...
It is the way Scotland looks to the South,
the way we enter friends' houses
to leave what we came with, or flick
the kettle's switch and wait.
This is where I want to live,
close to where the heart gives out,
ruined, perfected, an empty arch against the sky
where birds fly through instead of prayers
while in Hoy Sound the ferry's engines thrum
this life this life this life.
Andrew Greig
It is big sky and its changes,
the sea all around and the waters within.
It is the way sea and sky
work off each other constantly,
like people meeting in Alfred Street,
each face coming away with a hint
of the other's face pressed in it.
It is the way a week-long gale
ends and folk emerge to hear
a single bird cry way high up.
It is the way you lean to me
and the way I lean to you, as if
we are each other's prevailing;
how we connect along our shores,
the way we are tidal islands
joined for hours then inaccessible,
I'll go for that, and smile when I
pick sand off myself in the shower.
The way I am an inland loch to you
when a clatter of white whoops and rises...
It is the way Scotland looks to the South,
the way we enter friends' houses
to leave what we came with, or flick
the kettle's switch and wait.
This is where I want to live,
close to where the heart gives out,
ruined, perfected, an empty arch against the sky
where birds fly through instead of prayers
while in Hoy Sound the ferry's engines thrum
this life this life this life.
Andrew Greig
Wednesday, September 2, 2009
Happiness
So early it's still almost dark out
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.
When I see the boy and his friend
walking up the road
to deliver the newspaper.
They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.
I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.
They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.
Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.
Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.
Raymond Carver
So early it's still almost dark out
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.
When I see the boy and his friend
walking up the road
to deliver the newspaper.
They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.
I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.
They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.
Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.
Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.
Raymond Carver