Something must be reassuring to the almond, in the evening star, and the snow wind
and the long, long, nights,
Some memory of far, sun-gentler lands…
D.H. Lawrence
from “Almond Blossom”
*************************************************************
White-Eyes
In winter
all the singing is in
the tops of the trees
where the wind-bird
with its white eyes
shoves and pushes
among the branches.
Like any of us
he wants to go to sleep,
but he's restless—
he has an idea,
and slowly it unfolds
from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.
So, it's over.
In the pine-crown
he makes his nest,
he's done all he can.
I don't know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—
which he has summoned
from the north—
which he has taught
to be mild, and silent—
thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird
that loves us,
that is asleep now, and silent—
that has turned itself
into snow.
Mary Oliver
"There is also in each of us the maverick, the darling stubborn one who won't listen, who insists, who chooses preference or the spirited guess over yardsticks or even history. I suspect this maverick is somewhat what the soul is, or at least that the soul lives close by." - Mary Oliver
Tuesday, December 20, 2011
Wednesday, December 14, 2011
Because Even The Word Obstacle Is An Obstacle
Try to love everything that gets in your way;
The Chinese women in flowered bathing caps
murmuring together in Mandarin and doing leg exercises in your lane
while you execute thirty-six furious laps,
one for every item on your to-do list.
The heavy-bellied man who goes thrashing through the water
like a horse with a harpoon stuck in its side and
whose breathless tsunamis rock you from your course.
Teachers all. Learn to be small
and swim past obstacles like a minnow,
without grudges or memory. Dart
toward your goal, sperm to egg. Thinking, Obstacle,
is another obstacle. Try to love the teenage girl
lounging against the ladder, showing off her new tattoo:
Cette vie est la mienne, This life is mine,
in thick blue-black letters on her ivory instep.
Be glad she'll have that to look at the rest of her life, and
keep going. Swim by an uncle
in the lane next to yours who is teaching his nephew
how to hold his breath underwater,
even though kids aren't supposed
to be in the pool at this hour. Someday,
years from now, this boy
who is kicking and flailing in the exact place
you want to touch and turn
may be a young man at a wedding on a boat,
raising his champagne glass in a toast
when a huge wave hits, washing everyone overboard.
He'll come up coughing and spitting like he is now,
but he'll come up like a cork,
alive. So your moment
of impatience must bow in service to the larger story,
because if something is in your way, it is
going your way, the way
of all beings: toward darkness, toward light.
Allison Luterman
Try to love everything that gets in your way;
The Chinese women in flowered bathing caps
murmuring together in Mandarin and doing leg exercises in your lane
while you execute thirty-six furious laps,
one for every item on your to-do list.
The heavy-bellied man who goes thrashing through the water
like a horse with a harpoon stuck in its side and
whose breathless tsunamis rock you from your course.
Teachers all. Learn to be small
and swim past obstacles like a minnow,
without grudges or memory. Dart
toward your goal, sperm to egg. Thinking, Obstacle,
is another obstacle. Try to love the teenage girl
lounging against the ladder, showing off her new tattoo:
Cette vie est la mienne, This life is mine,
in thick blue-black letters on her ivory instep.
Be glad she'll have that to look at the rest of her life, and
keep going. Swim by an uncle
in the lane next to yours who is teaching his nephew
how to hold his breath underwater,
even though kids aren't supposed
to be in the pool at this hour. Someday,
years from now, this boy
who is kicking and flailing in the exact place
you want to touch and turn
may be a young man at a wedding on a boat,
raising his champagne glass in a toast
when a huge wave hits, washing everyone overboard.
He'll come up coughing and spitting like he is now,
but he'll come up like a cork,
alive. So your moment
of impatience must bow in service to the larger story,
because if something is in your way, it is
going your way, the way
of all beings: toward darkness, toward light.
Allison Luterman
Wednesday, December 7, 2011
December - 12 month of an 11 year!
Visitation
Last night you called me out to the December dark
to look up and see what neither of us had ever seen
before: a burnished flock of Canada geese, bent
into a flexed bow and heading south across a clear-
starred moonless sky in silence, winging it
to warmer quarters, and all lit up—like mystery,
I thought, a lit thing bearing nothing but the self
we see and savor but know no more the meaning of
than I know what in the cave of its fixed gaze
our cat is thinking. The geese were lit to the shade
of tarnished gold or dead oak leaves hanging still
in sunshine, or the color tall reeds have when
car-lights stream and splash over them in winter.
And they were—these beings moving as one—
a mystery to us: Why, we asked, their color, who
by daylight are simply black-winged shapes
quickening southwards across a sky-blue canvas?
How could they be lit from below like that, from
somewhere near where we stood on the earth
we shared with them, staring up, the earth that
for this inhabited minute or two must have been
giving off a light that made these creatures shine
for us who were there by chance, with no moonshine
to explain it? Then they're gone, gone dark, gone on,
though in their aftermath the cold dark we stood
our ground in was for a little while neither cold
nor dark but a place of visitation, and we were in it.
Eamon Grennan
Last night you called me out to the December dark
to look up and see what neither of us had ever seen
before: a burnished flock of Canada geese, bent
into a flexed bow and heading south across a clear-
starred moonless sky in silence, winging it
to warmer quarters, and all lit up—like mystery,
I thought, a lit thing bearing nothing but the self
we see and savor but know no more the meaning of
than I know what in the cave of its fixed gaze
our cat is thinking. The geese were lit to the shade
of tarnished gold or dead oak leaves hanging still
in sunshine, or the color tall reeds have when
car-lights stream and splash over them in winter.
And they were—these beings moving as one—
a mystery to us: Why, we asked, their color, who
by daylight are simply black-winged shapes
quickening southwards across a sky-blue canvas?
How could they be lit from below like that, from
somewhere near where we stood on the earth
we shared with them, staring up, the earth that
for this inhabited minute or two must have been
giving off a light that made these creatures shine
for us who were there by chance, with no moonshine
to explain it? Then they're gone, gone dark, gone on,
though in their aftermath the cold dark we stood
our ground in was for a little while neither cold
nor dark but a place of visitation, and we were in it.
Eamon Grennan