Rain – Birdoswald
I stand under a leafless tree
more still, in this mouse-pattering
thrum of rain,
than cattle shifting in the field.
It is more dark than light.
A Chinese painter’s brush of deepening grey
moves in a subtle tide.
The beasts are darker islands now.
Wet-stained and silvered by the rain
they suffer night,
marooned as still as stone or tree.
We sense each other’s quiet.
Almost, death could come
inevitable, unstrange
as is this dusk and rain,
and I should be no more
myself, than raindrops
glimmering in last light
on black ash buds
or night beasts in a winter field.
Frances Horovitz
1938-1983
"There is also in each of us the maverick, the darling stubborn one who won't listen, who insists, who chooses preference or the spirited guess over yardsticks or even history. I suspect this maverick is somewhat what the soul is, or at least that the soul lives close by." - Mary Oliver
Merry Summer Solstice!
El Sol
Wednesday, October 28, 2009
Wednesday, October 21, 2009
The Geese
Today as I hang out the wash I see them again, a code
as urgent as elegant,
tapering with goals.
For days they have been crossing. We live beneath these geese
as if beneath the passage of time, or a most perfect heading.
Sometimes I fear their relevance.
Closest at hand,
between the lines,
the spiders imitate the paths the geese won't stray from,
imitate them endlessly to no avail:
things will not remain connected,
will not heal,
and the world thickens with texture instead of history,
texture instead of place.
Yet the small fear of the spiders
binds and binds
the pins to the lines, the lines to the eaves, to the pincushion bush,
as if, at any time, things could fall further apart
and nothing could help them
recover their meaning. And if these spiders had their way,
chainlink over the visible world,
would we be in or out? I turn to go back in.
There is a feeling the body gives the mind
of having missed something, a bedrock poverty, like falling
without the sense that you are passing through one world,
that you could reach another
anytime. Instead the real
is crossing you,
your body an arrival
you know is false but can't outrun. And somewhere in between
these geese forever entering and
these spiders turning back,
this astonishing delay, the everyday, takes place.
Jorie Graham
Today as I hang out the wash I see them again, a code
as urgent as elegant,
tapering with goals.
For days they have been crossing. We live beneath these geese
as if beneath the passage of time, or a most perfect heading.
Sometimes I fear their relevance.
Closest at hand,
between the lines,
the spiders imitate the paths the geese won't stray from,
imitate them endlessly to no avail:
things will not remain connected,
will not heal,
and the world thickens with texture instead of history,
texture instead of place.
Yet the small fear of the spiders
binds and binds
the pins to the lines, the lines to the eaves, to the pincushion bush,
as if, at any time, things could fall further apart
and nothing could help them
recover their meaning. And if these spiders had their way,
chainlink over the visible world,
would we be in or out? I turn to go back in.
There is a feeling the body gives the mind
of having missed something, a bedrock poverty, like falling
without the sense that you are passing through one world,
that you could reach another
anytime. Instead the real
is crossing you,
your body an arrival
you know is false but can't outrun. And somewhere in between
these geese forever entering and
these spiders turning back,
this astonishing delay, the everyday, takes place.
Jorie Graham
Wednesday, October 14, 2009
Sudden Journey
Maybe I’m seven in the open field –
the straw grass so high
only the top of my head makes a curve
of brown in the yellow. Rain then.
First a little. A few drops on my
wrist, the right wrist. More rain.
My shoulders, my chin. Until I’m looking up
to let my eyes take the bliss.
I open my face. Let the teeth show. I
pull my shirt down past the collar-bones.
I’m still a boy under my breast spots.
I can drink anywhere. The rain. My
skin shattering. Up suddenly, needing
to gulp, turning with my tongue, my arms out
running, running in the hard, cold plenitude
of all those who reach earth by falling.
Tess Gallagher
Maybe I’m seven in the open field –
the straw grass so high
only the top of my head makes a curve
of brown in the yellow. Rain then.
First a little. A few drops on my
wrist, the right wrist. More rain.
My shoulders, my chin. Until I’m looking up
to let my eyes take the bliss.
I open my face. Let the teeth show. I
pull my shirt down past the collar-bones.
I’m still a boy under my breast spots.
I can drink anywhere. The rain. My
skin shattering. Up suddenly, needing
to gulp, turning with my tongue, my arms out
running, running in the hard, cold plenitude
of all those who reach earth by falling.
Tess Gallagher
Wednesday, October 7, 2009
Earth
Let the day grow on you upward
through your feet,
the vegetal knuckles,
to your knees of stone,
until by evening you are a black tree;
feel, with evening,
the swifts thicken your hair,
the new moon rising out of your forehead,
and the moonlit veins of silver
running from your armpits
like rivulets under white leaves.
Sleep, as ants
cross over your eyelids.
You have never possessed anything
as deeply as this.
This is all you have owned
from the first outcry
through forever;
you can never be dispossessed.
Derek Walcott
Let the day grow on you upward
through your feet,
the vegetal knuckles,
to your knees of stone,
until by evening you are a black tree;
feel, with evening,
the swifts thicken your hair,
the new moon rising out of your forehead,
and the moonlit veins of silver
running from your armpits
like rivulets under white leaves.
Sleep, as ants
cross over your eyelids.
You have never possessed anything
as deeply as this.
This is all you have owned
from the first outcry
through forever;
you can never be dispossessed.
Derek Walcott
Wednesday, September 30, 2009
Personals
Some nights I sleep with my dress on. My teeth
are small and even. I don't get headaches.
Since 1971 or before, I have hunted a bench
where I could eat my pimento cheese in peace.
If this were Tennessee and across that river, Arkansas,
I'd meet you in West Memphis tonight. We could
have a big time. Danger, shoulder soft.
Do not lie or lean on me. I'm still trying to find a job
for which a simple machine isn't better suited.
I've seen people die of money. Look at Admiral Benbow. I wish
like certain fishes, we came equipped with light organs.
Which reminds me of a little known fact:
if we were going the speed of light, this dome
would be shrinking while we were gaining weight.
Isn't the road crooked and steep.
In this humidity, I make repairs by night. I'm not one
among millions who saw Monroe's face
in the moon. I go blank looking at that face.
If I could afford it I'd live in hotels. I won awards
in spelling and the Australian crawl. Long long ago.
Grandmother married a man named Ivan. The men called him
Eve. Stranger, to tell the truth, in dog years I am up there.
C. D. Wright
Some nights I sleep with my dress on. My teeth
are small and even. I don't get headaches.
Since 1971 or before, I have hunted a bench
where I could eat my pimento cheese in peace.
If this were Tennessee and across that river, Arkansas,
I'd meet you in West Memphis tonight. We could
have a big time. Danger, shoulder soft.
Do not lie or lean on me. I'm still trying to find a job
for which a simple machine isn't better suited.
I've seen people die of money. Look at Admiral Benbow. I wish
like certain fishes, we came equipped with light organs.
Which reminds me of a little known fact:
if we were going the speed of light, this dome
would be shrinking while we were gaining weight.
Isn't the road crooked and steep.
In this humidity, I make repairs by night. I'm not one
among millions who saw Monroe's face
in the moon. I go blank looking at that face.
If I could afford it I'd live in hotels. I won awards
in spelling and the Australian crawl. Long long ago.
Grandmother married a man named Ivan. The men called him
Eve. Stranger, to tell the truth, in dog years I am up there.
C. D. Wright
Wednesday, September 23, 2009
Wild Peaches
When the world turns completely upside down
You say we will emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and scuppernong;
All seasons sweet, but autumn best of all.
Elinor Wylie
When the world turns completely upside down
You say we will emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and scuppernong;
All seasons sweet, but autumn best of all.
Elinor Wylie
Wednesday, September 16, 2009
Whelks
Here are the perfect
fans of the scallops,
quahogs, and weedy mussels
still holding their orange fruit---
and here are the whelks---
whirlwinds,
each the size of a fist,
but always cracked and broken---
clearly they have been traveling
under the sky-blue waves
for a long time.
All my life
I have been restless---
I have felt there is something
more wonderful than gloss---
than wholeness---
than staying at home.
I have not been sure what it is.
But every morning on the wide shore
I pass what is perfect and shining
to look for the whelks, whose edges
have rubbed so long against the world
they have snapped and crumbled---
they have almost vanished,
with the last relinquishing
of their unrepeatable energy,
back into everything else.
When I find one
I hold it in my hand,
I look out over that shaking fire,
I shut my eyes. Not often,
but now and again there's a moment
when the heart cries aloud:
yes, I am willing to be
that wild darkness,
that long, blue body of light.
Mary Oliver
Here are the perfect
fans of the scallops,
quahogs, and weedy mussels
still holding their orange fruit---
and here are the whelks---
whirlwinds,
each the size of a fist,
but always cracked and broken---
clearly they have been traveling
under the sky-blue waves
for a long time.
All my life
I have been restless---
I have felt there is something
more wonderful than gloss---
than wholeness---
than staying at home.
I have not been sure what it is.
But every morning on the wide shore
I pass what is perfect and shining
to look for the whelks, whose edges
have rubbed so long against the world
they have snapped and crumbled---
they have almost vanished,
with the last relinquishing
of their unrepeatable energy,
back into everything else.
When I find one
I hold it in my hand,
I look out over that shaking fire,
I shut my eyes. Not often,
but now and again there's a moment
when the heart cries aloud:
yes, I am willing to be
that wild darkness,
that long, blue body of light.
Mary Oliver
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