Joy Harjo

Wednesday, November 24, 2010

i thank You God for most this amazing
day:for the leaping greenly spirits of trees
and a blue true dream of sky;and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun's birthday;this is the birth
day of life and of love and wings:and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any--lifted from the no
of all nothing--human merely being
doubt unimaginable You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)

e.e. cummings

Wednesday, November 17, 2010

Light Verse

It’s just five, but it’s light like six.
It’s lighter than we think.
Mind and day are out of sync.
The dog is restless.
The dog’s owner is sleeping and dreaming of Elvis.
The treetops should be dark purple,
but they’re pink.

Here and now. Here and now.
The sun shakes off an hour.
The sun assumes its pre-calendrical power.
(It is, though, only what we make it seem.)
Now in the dog-owner’s dream,
the dog replaces Elvis and grows bigger
than that big tower

in Singapore, and keeps on growing until
he arrives at a size
with which only the planets can empathize.
He sprints down the ecliptic’s plane,
chased by his owner Jane
(that’s not really her name), who yells at him
to come back and synchronize.

Vijay Seshadri

*****************************************

Becoming A Redwood

Stand in a field long enough, and the sounds
start up again. The crickets, the invisible
toad who claims that change is possible,

And all the other life too small to name.
First one, then another, until innumerable
they merge into the single voice of a summer hill.

Yes, it’s hard to stand still, hour after hour,
fixed as a fencepost, hearing the steers
snort in the dark pasture, smelling the manure.

And paralyzed by the mystery of how a stone
can bear to be a stone, the pain
the grass endures breaking through the earth’s crust.

Unimaginable the redwoods on the far hill,
rooted for centuries, the living wood grown tall
and thickened with a hundred thousand days of light.

The old windmill creaks in perfect time
to the wind shaking the miles of pasture grass,
and the last farmhouse light goes off.

Something moves nearby. Coyotes hunt
these hills and packs of feral dogs.
But standing here at night accepts all that.

You are your own pale shadow in the quarter moon,
moving more slowly than the crippled stars,
part of the moonlight as the moonlight falls,

Part of the grass that answers the wind,
part of the midnight’s watchfulness that knows
there is no silence but when danger comes.

Dana Gioia

Wednesday, November 10, 2010

exactly right

the strays keep arriving: now we have 5
cats and they are smart, spontaneous, self-
absorbed, naturally poised and awesomely
beautiful.

one of the finest things about cats is
that when you're feeling down, very down,
if you just look at the cat at rest,
at the way they sit or lie and wait,
it's a grand lesson in preserving
and
if you watch 5 cats at once that's 5
times better.

no matter the extra demands they make
no matter the heavy sacks of food
no matter the dozens of cans of tuna
from the supermarket: it's all just fuel for their
amazing dignity and their
affirmation of a vital
life
we humans can
only envy and
admire from
afar.

Charles Bukowski

Wednesday, November 3, 2010

Consolation

How agreeable it is not to be touring Italy this summer,
wandering her cities and ascending her torrid hilltowns.
How much better to cruise these local, familiar streets,
fully grasping the meaning of every roadsign and billboard
and all the sudden hand gestures of my compatriots.

There are no abbeys here, no crumbling frescoes or famous
domes and there is no need to memorize a succession
of kings or tour the dripping corners of a dungeon.
No need to stand around a sarcophagus, see Napoleon's
little bed on Elba, or view the bones of a saint under glass.

How much better to command the simple precinct of home
than be dwarfed by pillar, arch, and basilica.
Why hide my head in phrase books and wrinkled maps?
Why feed scenery into a hungry, one-eyes camera
eager to eat the world one monument at a time?

Instead of slouching in a café ignorant of the word for ice,
I will head down to the coffee shop and the waitress
known as Dot. I will slide into the flow of the morning
paper, all language barriers down,
rivers of idiom running freely, eggs over easy on the way.

And after breakfast, I will not have to find someone
willing to photograph me with my arm around the owner.
I will not puzzle over the bill or record in a journal
what I had to eat and how the sun came in the window.
It is enough to climb back into the car

as if it were the great car of English itself
and sounding my loud vernacular horn, speed off
down a road that will never lead to Rome, not even Bologna.

Billy Collins
*******************************************************************
Canada

I am writing this on a strip of white birch bark
that I cut from a tree with a penknife.
There is no other way to express adequately
the immensity of the clouds that are passing over the farms
and wooded lakes of Ontario and the endless visibility
that hands you the horizon on a platter.

I am also writing this in a wooden canoe,
a point of balance in the middle of Lake Couchiching,
resting the birch bark against my knees.
I can feel the sun’s hands on my bare back,
but I am thinking of winter,
snow piled up in all the provinces
and the solemnity of the long grain-ships
that pass the cold months moored at Owen Sound.

O Canada, as the anthem goes,
scene of my boyhood summers,
you are the pack of Sweet Caporals on the table,
you are the dove-soft train whistle in the night,
you are the empty chair at the end of an empty dock.
You are the shelves of books in a lakeside cottage:
Gift from the Sea by Anne Morrow Lindbergh,
A Child’s Garden of Verses by Robert Louis Stevenson,
Anne of Avonlea by L. M. Montgomery,
So You’re Going to Paris! by Clara E. Laughlin,
and Peril Over the Airport, one
of the Vicky Barr Flight Stewardess series
by Helen Wills whom some will remember
as the author of the Cherry Ames Nurse stories.
What has become of the languorous girls
who would pass the long limp summer evenings reading
Cherry Ames, Student Nurse, Cherry Ames, Senior Nurse,
Cherry Ames, Chief Nurse, and Cherry Ames, Flight Nurse?
Where are they now, the ones who shared her adventures
as a veterans’ nurse, private duty nurse, visiting nurse,
cruise nurse, night supervisor, mountaineer nurse,
dude ranch nurse (there is little she has not done),
rest home nurse, department store nurse,
boarding school nurse, and country doctor's nurse?

O Canada, I have not forgotten you,
and as I kneel in my canoe, beholding this vision
of a bookcase, I pray that I remain in your vast,
polar, North American memory.
You are the paddle, the snowshoe, the cabin in the pines.
You are Jean de Brébeuf with his martyr’s necklace of hatchet heads.
You are the moose in the clearing and the moosehead on the wall.
You are the rapids, the propeller, the kerosene lamp.
You are the dust that coats the roadside berries.
But not only that.
You are the two boys with pails walking along that road,
and one of them, the taller one minus the straw hat, is me.

Billy Collins

************************************************************

Man in Space

All you have to do is listen to the way a man
sometimes talks to his wife at a table of people
and notice how intent he is on making his point
even though her lower lip is beginning to quiver,

and you will know why the women in science
fiction movies who inhabit a planet of their own
are not pictured making a salad or reading a magazine
when the men from earth arrive in their rocket,

why they are always standing in a semicircle
with their arms folded, their bare legs set apart,
their breasts protected by hard metal disks.

Billy Collins